When he was a boy, Aga Akbar, the deaf-mute illegitimate son of a Persian nobleman, traveled with his uncle to a cave on nearby Saffron Mountain. Once there, he was to copy a three-thousand-year-old cuneiform inscription—an order of the first king of Persia—as a means of freeing himself from his emotional confinement. For the remainder of his life, Aga Akbar used these cuneiform characters to fill a notebook with writings only he could understand. Years later, his son, Ishmael—a political dissident in exile—is attempting to translate the notebook . . . and in the process tells his father's story, his own, and the story of twentieth-century Iran. A stunning and ambitious novel by a singular literary talent, My Father's Notebook is at once a masterful chronicle of a culture's troubled voyage into modernity and the poignant, timeless tale of a son's enduring love.

With her award-winning debut novel, Purple Hibiscus, Chimamanda Ngozi Adichie was heralded by the Washington Post Book World as the “21st century daughter” of Chinua Achebe. Now, in her masterly, haunting new novel, she recreates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria during the 1960s. With the effortless grace of a natural storyteller, Adichie weaves together the lives of five characters caught up in the extraordinary tumult of the decade. Fifteen-year-old Ugwu is houseboy to Odenigbo, a university professor who sends him to school, and in whose living room Ugwu hears voices full of revolutionary zeal. Odenigbo's beautiful mistress, Olanna, a sociology teacher, is running away from her parents' world of wealth and excess; Kainene, her urbane twin, is taking over their father's business; and Kainene's English lover, Richard, forms a bridge between their two worlds. As we follow these intertwined lives through a military coup, the Biafran secession and the subsequent war, Adichie brilliantly evokes the promise, and intimately, the devastating disappointments that marked this time and place. Epic, ambitious and triumphantly realized, Half of a Yellow Sun is a more powerful, dramatic and intensely emotional picture of modern Africa than any we have had before.

On the morning she will never forget, suburban teenager Cynthia Archer awakes with a nasty hangover and a feeling she is going to have an even nastier confrontation with her mom and dad. She isn't. Instead, the house is empty, with no sign of her parents or younger brother Todd. At first she just thinks it's weird, then more and more scary, until finally the terrfiying reality hits her: in the blink of an eye, without any explanation, her family has simply disappeared. Twenty-five years later the mystery is no nearer to being solved and Cynthia is still haunted by unanswered questions. Were her family murdered? If so, why was she spared? And if they're alive, why did they abandon her in such a cruel way? Now married with a daughter of her own, Cynthia knows that without answers - however shocking they might prove to be - she will never be emotionally or psychologically whole, living in daily fear that her new family will be taken from her just as her first one was. And so she agrees to take part in a TV documentary revisiting the case, in the hope that somebody somewhere will remember something - or even that her father, mother or brother might finally reach out to her... First nothing. Then just a few crackpots and scam artists coming out of the woodwork. And then the letter, a letter which makes no sense and yet chills Cynthia to the core. And soon she begins to realize that stirring up the past could be the worst mistake she has ever made.

I am Eva Delectorskaya,” Sally Gilmartin announces, and so on a warm summer afternoon in 1976 her daughter, Ruth, learns that everything she ever knew about her mother was a carefully constructed lie. Sally Gilmartin is a respectable English widow living in picturesque Cotswold village; Eva Delectorskaya was a rigorously trained World War II spy, a woman who carried fake passports and retreated to secret safe houses, a woman taught to lie and deceive, and above all, to never trust anyone. Three decades later the secrets of Sally's past still haunt her. Someone is trying to kill her and at last she has decided to trust Ruth with her story. Ruth, meanwhile, is struggling to make sense of her own life as a young single mother with an unfinished graduate degree and escalating dependence on alcohol. She is drawn deeper and deeper into the astonishing events of her mother's past—the mysterious death of Eva's beloved brother, her work in New York City manipulating the press in order to shift public sentiment toward American involvement in the war, her dangerous romantic entanglement. Now Sally wants to find the man who recruited her for the secret service, and she needs Ruth's help. RESTLESS is a brilliant espionage audiobook and a vivid portrait of the life of a female spy. Full of tension and drama, and based on a remarkable chapter of Anglo-American history, this is listening at its finest.

From the author of the acclaimed YEAR OF WONDERS, a historical novel and love story set during a time of catastrophe, on the front lines of the American Civil War. Set during the American Civil War, MARCH tells the story of John March, known to us as the father away from his family of girls in LITTLE WOMEN, Louisa May Alcott's classic American novel. In Brooks' telling, March emerges as an abolitionist and idealistic chaplain on the front lines of a war that tests his faith in himself and in the Union cause when he learns that his side, too, is capable of barbarism and racism. As he recovers from a near-fatal illness in a Washington hospital, he must reassemble the shards of his tattered mind and body, and find a way to reconnect with a wife and daughters who have no idea of the ordeals he has been through. As Alcott drew on her real life sisters in shaping the characters of her little women, Brooks turned to the journals and letters of Bronson Alcott, Louisa May's father, an idealistic educator, animal rights exponent and abolitionist who was a friend and confidant of Ralph Waldo Emerson and Henry David Thoreau. The story spans the vibrant intellectual world of Concord and the sensuous antebellum South, through to the first year of the Civil War as the north reels under a series of unexpected defeats. Like her bestselling YEAR OF WONDERS, MARCH is a love story set in a time of catastrophe. It explores the passions between a man and a woman, the tenderness of parent and child, and the life-changing power of an ardently held belief.